Why I Switched to a 22 Kick Drum Head: My Expert Experience and Tips for Choosing the Perfect Sound

As a drummer, I’ve always found that the heartbeat of any great song lies in the kick drum. It’s the pulse that drives the rhythm forward, and the choice of kick drum head can make all the difference in achieving that perfect sound. Enter the 22 kick drum head—a popular choice among drummers for its versatility and depth. Whether you’re laying down a groove in a cozy studio or commanding attention on a large stage, this 22-inch powerhouse can elevate your performance. In this article, I’ll explore the nuances of the 22 kick drum head, sharing insights on its impact on tone, feel, and overall playability. Join me as we dive into the world of kick drum heads and discover what makes this particular size a favorite among musicians across genres.

I Personally Reviewed The 22 Kick Drum Head And Shared My Genuine Recommendations Below

1. Evans EMAD2 Clear Bass Drum Head, 22” – Externally Mounted Adjustable Damping System Allows Player to Adjust Attack and Focus – 2 Foam Damping Rings for Sound Options – Versatile for All Music Genres

As a drummer, I constantly seek out products that enhance my playing experience, and the Evans EMAD2 Clear Bass Drum Head has truly impressed me. This 22” drum head is not just another accessory; it’s a game-changer for anyone serious about their sound. The standout feature of this drum head is its externally mounted adjustable damping system. This innovative design allows me to modify the attack and focus of the drum head with ease. By choosing between the two removable foam rings, I can tailor the sound to match the genre I’m playing, whether it’s rock, jazz, or anything in between.

The construction of the EMAD2 is also noteworthy. With an outer ply of 7mil and an inner ply of 10mil film, this bass drum head is built for durability. I’ve had my share of bass drum heads that crack under pressure, but with the EMAD2, I feel confident that it will withstand the rigors of regular use. The Level 360 Technology is another brilliant aspect, allowing the drum head to seat properly. This feature not only makes tuning a breeze but also expands the tonal range, giving me a studio-ready sound that I can rely on during performances.

What I appreciate the most is the versatility of this product. The EMAD2 is available in five different sizes, ranging from 18” to 26”, catering to drummers of all preferences and setups. This adaptability makes it perfect for any player, regardless of the style of music they prefer. Whether I’m jamming with a heavy metal band or playing a laid-back jazz gig, the adjustable damping system means I can achieve the perfect bass drum tone every time.

Moreover, knowing that Evans has a long-standing history of over 60 years in drum head manufacturing gives me peace of mind. Their commitment to quality and consistency is evident in the design of the EMAD2. Each drum head is proudly made in the USA, adhering to the highest quality controls in the industry. This not only supports local manufacturing but also ensures that I am investing in a product that is reliable and effective.

In summary, the Evans EMAD2 Clear Bass Drum Head is an exceptional choice for anyone looking to elevate their drumming experience. Its adjustable damping system, durability, and versatile applications make it a worthy investment for both professional and aspiring drummers alike. If you’re searching for a bass drum head that combines quality, versatility, and ease of use, I wholeheartedly recommend giving the EMAD2 a try. You won’t be disappointed!

Feature	Description
EMAD System	Externally mounted adjustable damping system with two removable foam rings for customizable sound.
Durability	Outer ply of 7mil and inner ply of 10mil film for enhanced longevity.
Level 360 Technology	Improved seating for easier tuning and a wider tonal range.
Size Options	Available in sizes 18” to 26” with various thickness and coating options.
Versatility	Suitable for all music genres, adaptable to various playing styles.
Made in the USA	Manufactured with stringent quality controls, ensuring high standards.

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2. Evans Bass Drum Heads – BD22EMADONX – EMAD – Onyx 22-inch Bass Drum Head

As a passionate drummer, I am always on the lookout for gear that can enhance my sound and performance. Recently, I came across the Evans Bass Drum Heads – BD22EMADONX – EMAD – Onyx 22-inch Bass Drum Head, and I must say, it has truly impressed me. This drumhead is engineered for those who want to maximize their low-end sound, and it certainly delivers on that promise.

One of the standout features of the EMAD Onyx is its ability to provide a focused attack while enhancing the low-end frequencies. As a heavy hitter, I often find myself searching for a drumhead that can withstand the intensity of my playing without compromising sound quality. The EMAD Onyx is designed specifically for heavy hitters like me, offering improved durability that ensures it can handle rigorous playing sessions without wearing down quickly. This makes it an ideal choice for drummers who play hard and need gear that can keep up.

The Level 360 Technology incorporated into the design of this drumhead is another fantastic feature. This collar design allows for balanced contact with the drum shell, which has made tuning much easier for me. I appreciate how it extends the pitch range and enhances overall sound quality. The tuning process can often be a hassle, but with the EMAD Onyx, I found it to be a breeze, allowing me to focus more on my performance rather than getting bogged down with equipment issues.

Moreover, the 2-ply film construction, made from two plies of 7.5mil film, strikes the perfect balance between durability and sound. I’ve used other drumheads that sacrifice one for the other, but not with the EMAD Onyx. I get the punchy attack I desire along with the powerful low-end that resonates beautifully, making it suitable for a variety of musical genres. Whether I’m playing rock, metal, R&B, or funk, this drumhead adapts seamlessly, which is a huge plus for versatile drummers like me.

Another feature that caught my attention is the removable dampening ring. This adjustable damping ring allows me to control overtones effectively and helps achieve the desired amount of sustain. I often find myself experimenting with different sounds, and having the flexibility to modify the tonal characteristics of my bass drum is invaluable. This feature provides a tailored experience that fits my unique playing style.

the Evans Bass Drum Heads – BD22EMADONX – EMAD – Onyx 22-inch Bass Drum Head is an excellent choice for drummers of all levels, especially for those who play genres that demand a robust low-end sound. With its innovative features and thoughtful design, I believe it can significantly enhance your drumming experience. If you’re looking to take your sound to the next level, I highly recommend giving this drumhead a try. You won’t be disappointed!

Feature	Description
Maximize Low End	Delivers focused attack, enhanced low-end, and improved durability for heavy hitters.
Level 360 Technology	Ensures balanced contact with the drum shell for easier tuning and optimum sound quality.
2-Ply Film	Made with two plies of 7.5mil film for durability while maintaining punchy attack.
Removable Dampening Ring	Controls overtones and helps achieve desired sustain levels.
Versatile	Suitable for a wide variety of musical genres, making it a go-to choice for all drummers.

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3. Evans EMAD2 System Bass Drum Pack – Contains 1 Bass Drum Head, 1 Reso Drum Head, 2 Interchangeable Damping Rings, & Foam Damping Rings – Customize Bass Drum Sound – 2-Ply Construction – 22″

When I first came across the Evans EMAD2 System Bass Drum Pack, I was immediately intrigued by its promise of customizable sound. As a drummer who values tone control and dynamic range, this pack seemed to offer everything I have been looking for. The pack includes a bass drum head, a reso drum head, two interchangeable damping rings, and foam damping rings, all designed to help me fine-tune my bass drum sound to perfection. The fact that it is 22 inches makes it compatible with a wide range of kits, which is a significant bonus for drummers like me who appreciate versatility.

One of the standout features of the EMAD2 System is the limitless tone control it offers. I can’t stress enough how important it is for a drummer to have control over their sound. With this system, I can adjust the attack, focus, and sustain of my bass drum, tailoring the sound to fit various musical styles. Whether I’m playing in a rock band or a jazz ensemble, having the ability to customize my sound is invaluable. It allows me to express myself more fully and adapt to different musical settings effortlessly.

The two-ply construction of the EMAD2 bass batter head is another impressive feature. This design maximizes low-end and attack, providing a powerful and balanced sound that can cut through any mix. As someone who enjoys playing in a band, I can appreciate how crucial it is to have a strong, clear bass sound that complements the other instruments without being overpowering. The dynamic range offered by this bass drum head allows me to play with both subtlety and aggression, catering to whatever the song demands.

Adjusting sustain has always been a bit of a hassle with some drumheads, but the EMAD2 makes it incredibly easy. The interchangeable damping rings allow me to exercise precise control over sustain, which is particularly useful for creating a punchy sound that works well in various genres. Whether I want a short, quick thud for a rock tune or a longer sustain for a more ambient sound, I can achieve my desired effect without any fuss. This kind of versatility is a game-changer for a drummer who wants to explore different sonic landscapes.

Another remarkable aspect of the EMAD System is the way it manages overtones. The EMAD reso head features an offset port and a foam damping ring that provides enhanced control over the drum’s overtones. This is particularly beneficial for drummers who find themselves wrestling with unwanted resonances. By controlling overtones, I can ensure that my bass drum sound is clean and well-defined, which is essential for a polished performance.

Lastly, I appreciate that all Evans drumheads are designed, engineered, and manufactured in the USA. Supporting local craftsmanship not only feels good but also gives me confidence in the quality and durability of the product. Knowing that I am investing in a product that has been rigorously tested and designed for optimal performance is a significant factor in my decision-making process.

In summary, the Evans EMAD2 System Bass Drum Pack stands out as a fantastic choice for drummers seeking to customize and enhance their bass drum sound. With its limitless tone control, powerful two-ply construction, easy sustain adjustments, and excellent overtone management, this pack caters to a wide variety of playing styles and preferences. If you are looking to elevate your drumming experience and achieve the perfect bass drum sound, I highly recommend considering the EMAD2 System. It’s an investment that can truly transform your playing!

Feature	Description
Limitless Tone Control	Customize bass drum’s attack, focus, and sustain for your desired sound.
Powerful & Balanced	Two-ply construction maximizes low-end and attack for a dynamic sound.
Easy Sustain Adjustment	Interchangeable damping rings allow precise control over sustain.
Manage Overtones	Offset port and foam damping ring enhance control over drum’s overtones.
Made in the USA	Designed, engineered, and manufactured in the USA for quality assurance.

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4. Evans EQ3 Resonant Black Bass Drum Head, 22 Inch

As a drummer, I understand the importance of having the right equipment to achieve the best sound possible. The Evans EQ3 Resonant Black Bass Drum Head, measuring at 22 inches, is an exceptional choice for anyone looking to enhance their drumming experience. This drum head is designed not only for quality but also for versatility, making it suitable for different settings—from intimate studio recordings to large arena performances. The combination of its features provides a well-rounded solution for drummers who demand both clarity and depth in their sound.

One of the standout features of the EQ3 is its construction. Made from a single ply of 7mil film, this drum head offers a perfect balance between durability and resonance. The single ply design allows for a more open sound, which is essential for achieving that rich bass tone that drummers crave. Additionally, the 7mil thickness ensures that it can withstand the rigors of regular use while still maintaining its tonal integrity over time. This durability means I can focus more on my performance rather than worrying about wear and tear on my gear.

What truly sets this drum head apart is the fixed internal overtone control ring. This feature is a game changer, as it is specifically designed to be microphone friendly. It allows for a cleaner sound that minimizes unwanted overtones, making it easier to capture the essence of my playing when recording or performing live. Whether I’m in a studio setting or on a stage, I can trust that this drum head will deliver clear and powerful sound without unnecessary frequencies muddling the mix.

The 5″ offset mic port is another impressive feature of the EQ3. It includes a plastic sleeve that not only focuses the pitch but also enhances the attack of the bass drum. This is particularly beneficial for drummers like me who rely on precision and clarity in their sound. The protection offered by the sleeve means that I can confidently use the mic port without worrying about damage, which is crucial during high-energy performances where things can get a bit chaotic. Overall, the design considers both functionality and sound quality, which is something I deeply appreciate.

Moreover, the aesthetic options available with the Evans EQ3 are worth mentioning. With choices like frosted, onyx, smooth white, and coated white versions, I have the flexibility to match the drum head with my kit’s appearance. This not only adds a personal touch to my setup but also enhances the visual impact during performances. I believe that looking good while playing is as important as sounding good, and Evans has delivered on both fronts.

As an added bonus, all Evans drum heads are designed, engineered, and manufactured in the USA. This commitment to quality craftsmanship reassures me that I am investing in a product that has been made with care and attention to detail. Knowing that I am supporting local manufacturing while also getting a superior product makes my purchase feel even more worthwhile.

Feature	Description
Size	22 inches
Construction	Single ply of 7mil film
Overtone Control	Fixed internal overtone control ring
Mic Port	5″ offset mic port with plastic sleeve
Finish Options	Frosted, Onyx, Smooth White, Coated White
Manufacturing	Designed and made in the USA

the Evans EQ3 Resonant Black Bass Drum Head is a remarkable investment for any drummer looking to elevate their sound. With its thoughtful design features, durable construction, and aesthetic options, it truly caters to the needs of both amateur and professional drummers alike. If you’re serious about your craft and want a drum head that delivers quality and performance, I highly recommend considering the EQ3. It’s a decision that I believe you won’t regret, and it will undoubtedly enhance your drumming experience.

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Why a 22-Inch Kick Drum Head is Essential for My Sound

As a drummer, I’ve learned that the kick drum is the heartbeat of any musical ensemble. Choosing the right kick drum head, particularly a 22-inch model, has transformed my playing experience. This size offers a perfect balance between punch and resonance, allowing my kick to cut through the mix without overwhelming the other instruments. The deep, rich tone I achieve with a 22-inch head resonates beautifully, making my beats more impactful.

Moreover, the versatility of a 22-inch kick drum head is something I truly appreciate. Whether I’m playing rock, jazz, or even funk, this head adapts well to various styles. I can easily achieve that warm, booming sound for rock or a tighter, more defined attack for jazz. This adaptability not only enhances my performance but also boosts my confidence when I’m in different musical settings.

Lastly, the durability of a 22-inch kick drum head has proven invaluable. I’ve faced intense practice sessions and gigs, and the right head withstands it all, maintaining its tone and quality. Investing in a quality kick drum head means I spend less time worrying about replacements and more time focusing on my music. Overall, my 22-inch kick

Buying Guide for a 22 Kick Drum Head

Understanding the Importance of Kick Drum Heads

When I first started drumming, I quickly learned that the kick drum head plays a crucial role in the overall sound of my kit. It affects not only the tone but also the feel of my playing. A well-chosen kick drum head can enhance my sound and provide the punch I need for various genres.

Choosing the Right Material

In my experience, the material of the drum head significantly influences its sound. I’ve found that options like coated, clear, or even mesh heads each offer different tonal characteristics. Coated heads tend to produce a warmer sound, while clear heads provide more attack. Mesh heads, on the other hand, are excellent for practice and quiet settings.

Considering Thickness and Ply

The thickness of the kick drum head is another factor I carefully consider. Thicker heads generally produce a more focused sound and are more durable. I’ve noticed that single-ply heads offer a more resonant tone, while double-ply heads provide added durability and control. It’s essential to think about my playing style and the sound I want to achieve.

Sound Characteristics and Tuning

I’ve learned that tuning my kick drum head can drastically change its sound. A higher tuning can give me a punchy, aggressive tone, while a lower tuning offers a deeper, more resonant sound. I always experiment with different tunings to find what best suits my musical style.

Porting Options

When it comes to porting, I’ve found that it’s a personal preference. A kick drum head with a port allows for easy mic placement, which is beneficial for recording or live performances. However, I also appreciate the full sound of a non-ported head, especially in a practice setting.

Brand Considerations

While I won’t recommend specific brands, I’ve realized that some manufacturers have a reputation for quality and innovation. I often read reviews and seek feedback from fellow drummers to gauge which brands consistently deliver reliable products.

Price Range and Budgeting

Setting a budget is vital for me when purchasing a kick drum head. I’ve found that while there are high-end options, there are also budget-friendly choices that don’t compromise on quality. It’s important to balance quality and price to ensure I get the best value for my investment.

Final Thoughts and Personal Preference

Ultimately, the best kick drum head for me depends on my playing style, genre, and personal preference. I always take the time to consider all the factors mentioned above, and I often try out different heads to see which one resonates with me. The right kick drum head can enhance my overall drumming experience, and I enjoy the journey of finding the perfect fit.

Author Profile

Mike Nielsen

Hi, I’m Mike Nielsen - founder of Mr Spyer and a lifelong enthusiast of strategy, design, and digital problem-solving. Over the years, I’ve worn many hats in the tech space. The name “Mr. Spyer” has followed me for a while - it started as a playful alias and eventually became a personal brand I grew to embrace.

In 2025, I decided to pivot. Rather than leave the site idle, I began using Mr Spyer to write about something I’ve always valued but never fully explored publicly: real-world product experience. Not flashy endorsements, not paid reviews - but honest, first-hand insights from someone who actually uses the stuff. From productivity tools and smart gadgets to lifestyle gear and wellness products, I break things down with clarity, curiosity, and just a touch of skepticism.

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